I have TABbed the melody as if it were played in G. The accompaniment 
is in A, though, so you'll have to capo at the second fret to make the 
melody work with the accompaniment. It's in 2/4. So each "|" above the 
staff represents an eighth note. 
 
 
Sally Goodin (traditional) 
arr. Jim Wood, TAB by Bo Parker [email protected] 
 
Melody:  
(Don't worry about the chord symbols - fingerings are given below. 
D#o7 means D# diminished 7th.) 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
| 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#       A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
 
OK - now the accompaniment. Note the nice walking bass lines. The 
whole thing is done bass-strum, bass-strum, etc. 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----2-------0---| 
|-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| 
|-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| 
|-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| 
|-0-------4-------|-----------------|-0-------1-------|-2-----------2---| 
|-----------------|-----------------|-----------------|---------0-------| 
 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A  
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----3-------5---|-----7-------5---| 
|-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| 
|-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| 
|-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| 
|-0-------4-------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----5-------5---|-----------------|-----------------|-------------0---| 
|-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| 
|-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| 
|-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| 
|-----------------|-9-------8-------|-7-------6-------|-5-------2-------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----------------| 
|-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| 
|-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| 
|-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| 
|-0-------4-------|-----------------|-7---------------|---------0-------| 
|-----------------|-----------------|---------7-------|-4---------------| 
 
 
Enjoy! 
 
See ya 
 
-Bo Parker 
[email protected] 
 
I do not speak for my employer, whoever that is. 
 
``Squid eating dough in a polyethylene bag is fast & bulbous.'' 
``Got me?''