No Where To Run Chords

by Kiss
KeyB CapoNone TuningStandard Difficulty Plays576

No Where To Run by Kiss is a more advanced guitar song played in the key of B. It uses the chords B, E, G, A, F#, B/A, F#m, Em, D, Db, A/B and Bm. Use the transpose and diagram tools on this page to change the key, see each shape, or simplify the chords.

Transpose
B
Text
16
Speed
  			Eb Tuning 
Key: 
/    = slide up 
\    = slide down 
b    = bend (whole step) 
b^   = bend (1/2 step) 
b^^  = bend (1 1/2 steps) 
pb   = pre-bend 
r    = release-bend 
r^   = release-bend half-step 
h^   = hammer-on 
p^   = pull-off 
~    = Vibrato 
*    = Natural Harmonic 
#(#) = Trill 
**   = Artificial Harmonic 
x    = Muted String (Palm Muting) 
X    = Muted String (Fretboard Muting) 


Rhythm Fig. 1 (12 String Acoustic) 

     B 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|-4-4-4---4-4-4--------------------------------------| 
Db|-4-4-4---4-4-4--------------------------------------| 
Ab|-2-2-2---2-2-2--------------------------------------| 
Eb|----------------------------------------------------| 


Rhythm Fig. 1a (Distorted Electric) 

     B 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|-4-4-4---4-4-4--------------------------------------| 
Db|-4-4-4---4-4-4--------------------------------------| 
Ab|-2-2-2---2-2-2--------------------------------------| 
Eb|----------------------------------------------------| 


Rhythm Fig. 2 (12 String Acoustic) 

      E G A B        A B          G    F#   E G A 
Eb|-------------------------------3----3---------------| 
Bb|---------------------------------3----3-------------| 
Gb|--4-0-2-4-4-4--4-2-4-4-4--4-2---------------2-2---2-| 
Db|--2-0-2-4-4-4--4-2-4-4-4--4-2---------------2-2---2-| 
Ab|--------------------------------------------0-0---0-| 
Eb|------------------------------3----2----0-3---------| 


Rhythm Fig. 3 (Distorted Electric) 

      E G  A  B                   B  A G F# E G  A 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|-------2--4-4-4--4--4--4-4-4-----------------2-2--2-| 
Db|-------2--4-4-4--4--4--4-4-4-----------------2-2--2-| 
Ab|-------0--2-2-2--2--0--2-2-2--2--0-----------0-0--0-| 
Eb|--0-3------------------------------3~-2~-0-3--------| 


Rhythm Fig. 4 (12 String Acoustic & Distorted Electric) 

      G   A    B        B/A B      A   G  A  F#m G 
Eb|--3--------------------------------3-----2-----3----| 
Bb|--3--------------------------------3-----2---3---3--| 
Gb|--0---2----4-4-4--4--4--4-4-4--2---0--2--2----------| 
Db|--0---2----4-4-4--4--4--4-4-4--2---0--2--4----------| 
Ab|--2---0--0-2-2-2--2--0--2-2-2--0---2--0--4----------| 
Eb|--3--------------------------------3-----2--3-------| 
     <---------------2x--------> 

           F#  Em F#m  B 
Eb|----3----3-0--2-------------------------------------| 
Bb|-----------0--2-------------------------------------| 
Gb|-----------0--2--4-4-4-4-4-4-4-4--------------------| 
Db|-----------2--4--4-4-4-4-4-4-4-4--------------------| 
Ab|-----------2--4--2-2-2-2-2-2-2-2--------------------| 
Eb|--3----2---0--2-------------------------------------| 
                    <------2x-----> 


Rhythm Fig. 4a (12 String Acoustic & Distorted Electric) 

      G   A    B        B/A        A   G  A  F#m G 
Eb|--3--------------------------------3-----2-----3----| 
Bb|--3--------------------------------3-----2---3---3--| 
Gb|--0---2----4-4-4--4--4--4-4-4--2---0--2--2----------| 
Db|--0---2----4-4-4--4--4--4-4-4--2---0--2--4----------| 
Ab|--2---0--0-2-2-2--2--0--2-2-2--0---2--0--4----------| 
Eb|--3--------------------------------3-----2--3-------| 
     <---------------2x--------> 

      G    F#  Em F#m A B                  F#m G  A F#m 
Eb|----3----3-0--2-------------------------2--3-----2--| 
Bb|-----------0--2-------------------------2--3-----2--| 
Gb|-----------0--2--2--4-4-4-4-4-4-4-4--4--2--0--2--2--| 
Db|-----------2--4--2--4-4-4-4-4-4-4-4--4--4--0--2--4--| 
Ab|-----------2--4--0--2-2-2-2-2-2-2-2--2--4--2--0--4--| 
Eb|--3----2---0--2-------------------------2--3-----2--| 


Rhythm Fig. 5 (12 String Acoustic) 

      E G A B        A B        A G  F# E  A  G  F# D Db 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|--4-0-2-4-4-4--4-2-4-4-4--4-2-----------------------| 
Db|--2-0-2-4-4-4--4-2-4-4-4--4-2-----------------------| 
Ab|------------------------------------------------5~-4| 
Eb|------------------------------3~-2~-0--5~-3~-2~-----| 

   end. 1 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|----------------------------------------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|--/5---2~-------------------------------------------| 


Rhythm Fig. 5a (Distorted Electric) 

      E G  A  B        A/B        B  A G  F# E  A  G  F# 
Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|-------2--4-4-4--4--4--4-4-4------------------------| 
Db|-------2--4-4-4--4--4--4-4-4------------------------| 
Ab|-------0--2-2-2--2--0--2-2-2--2--0------------------| 
Eb|--0-3------------------------------3~-2~-0--5~-3~-2~| 

     D  Db end. 1 
Eb|------|---------------------------------------------| 
Bb|------|---------------------------------------------| 
Gb|------|---------------------------------------------| 
Db|------|---------------------------------------------| 
Ab|-5~-4-|---------------------------------------------| 
Eb|------|-/5--2~--------------------------------------| 



Rhythm Fig. 6 (12 String Acoustic) 

      G   A   Bm  G   A  Bm G  A   F#m 
Eb|--3-------2---3------2--3-------2-------------------| 
Bb|--3---2---3---3---2--3--3--2----2-------------------| 
Gb|--0---2---4---0---2--4--0--2----2-------------------| 
Db|--0---2---4---0---2--4--0--2----4-------------------| 
Ab|--2---0---2---2---0--2--2--0----4-------------------| 
Eb|--3-----------3---------3-------2-------------------| 
     <---Ad Lib Picking------->     


Rhythm Fig. 7 (12 String Acoustic) 

Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|--4-0-2-4-4-4--4-2-4-4-4--4-2-----------------------| 
Db|--2-0-2-4-4-4--4-2-4-4-4--4-2-----------------------| 
Ab|----------------------------------------------------| 
Eb|------------------------------3~-2~-0--5~-3~--------| 


Rhythm Fig. 7a (Distorted Electric) 

Eb|----------------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|-------2--4-4-4--4--4--4-4-4------------------------| 
Db|-------2--4-4-4--4--4--4-4-4------------------------| 
Ab|-------0--2-2-2--2--0--2-2-2--2--0------------------| 
Eb|--0-3------------------------------3~-2~-0--5~-3~---| 


Solo. 

Eb|-7---7---7---7---7---7------------------------------| 
Bb|-10b-10b-10b-10b-10b-10b~-10b--10-7-----------------| 
Gb|------------------------------------9b-r9p^7-9~-----| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 
                             <----------2x------> 


Eb|--------17------------------------------------------| 
Bb|---17b-----17b~-17b^^--15------15-17b-17-15-17b^-17~| 
Gb|---------------------------16~----------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 

Eb|----------------------------19b-19b-19b-19b-19b-19b-| 
Bb|-15-17b-17-15-17b^-17b^-17~-------------------------| 
Gb|----------------------------------------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 

Eb|--19b~~---------------------------------------------| 
Bb|----------------------------------------------------| 
Gb|----------------------------------------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 


Riff. 1 

Eb|--------------------------------------19b-19b-19b~--| 
Bb|-17b-r17p^15--17b-r17p^15---------------------------| 
Gb|---------------------------16~----------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 

Eb|--15b-15b-15b--15b-15b-15b~~--19b-19b~--19b-19b-19b~| 
Bb|----------------------------------------------------| 
Gb|----------------------------------------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 

Eb|----------------------------------------------------| 
Bb|-17b-r17p^15--17b-r17p^15---------------------------| 
Gb|---------------------------16~----------------------| 
Db|----------------------------------------------------| 
Ab|----------------------------------------------------| 
Eb|----------------------------------------------------| 



NOWHERE TO RUN 

Rhythm Fig. 1 w/Rhythm Fig. 1a 
Rhythm Fig. 2 
Rhythm Fig. 2 w/Rhythm Fig. 3(2x) 

Rhythm Fig. 4 
Don't know what's been going on in your head, no 
When you knew that his love was through 
You closed your eyes and said 
I was there with a shoulder to lean on 
It's not gonna happen twice 
If you go I just want you to know 
It's alright 

Rhythm Fig. 2 w/Rhythm Fig. 3(2x) 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 

Rhythm Fig. 4a 
Did you think you could open up in the night, yeah 
Just pretend I'm only a friend and disappear from sight 
One day you're gonna be lonely, wishing I was by your side 
And one day you'll think of me only 
But girl, you gotta take the ride 
Well too bad, now that this damage is done 

Rhythm Fig. 2 w/Rhythm Fig. 3(3x) 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 
Rhythm Fig. 5 w/Rhythm Fig. 5a 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 

Solo w/Rhythm Fig. 2 w/Rhythm Fig. 3(2x) 
then Rhythm Fig. 5 w/end.1 w/Rhythm Fig. 5a w/end.1 

Rhythm Fig. 6 
Little girl, gonna make your bed in the dark, yeah 
Now you say you're going away 
But I will keep your heart 
And you will cry when you realize you were wrong 

Rhythm Fig. 2 w/Rhythm Fig. 3(2x) 
Run on, run on 

Rhythm Fig. 2 w/Rhythm Fig. 3 
w/Riff. 1(Until End) 
Nowhere to run, nowhere to hide 
Rhythm Fig. 7 w/Rhythm Fig. 7a 
Nowhere to run, no 
Rhythm Fig. 2 w/Rhythm Fig. 3 
Nowhere to run, nowhere to run 
Nowhere to hide, nowhere to hide 
Rhythm Fig. 7 w/Rhythm Fig. 7a 
Nowhere to run, nowhere to run 
Nowhere to hide, no 
Rhythm Fig. 2 w/Rhythm Fig. 3(Until Fade) 
Nowhere to run, nowhere to hide 
Nowhere to run, nowhere to hide 
Nowhere to run, nowhere to hide 
Nowhere to run, no 
    	

Chord diagrams

Guitar tuner

--
Start the tuner and play a string

Reference tones

Standard tuning, lowest to highest. Click a string to play it; the string the mic hears is highlighted.

Click Start tuner and allow microphone access. The needle centers and turns green when a string is in tune (within 5 cents).
No microphone? You can still tap any string above to hear its exact reference pitch.

Metronome

100 BPM Andante